BOOM

The Boom Man or Boom Person is a very important position. The boom is a fish-pole-like contraption onto which the microphone is fastened. In the early days of film making, the boom was, you guessed it, literally a fish pole! The boom has to be flexible and quite in operation for obvious reasons.

The Boom Person dangles the mic in perfect position for each actor in the scene to deliver their lines into. The boom has to be swung back and forth between actors so that each actor's line receives optimum recording.

The skill of the Boom Person is necessary to ensure good sound recording in every situation. The Boom Person works closely with the Sound Person in placing different types of mics into use. Also with this position the Sound Persons usually has someone with whom they work well. Go with a good team.  Be careful of one thing though. Many sound people are comedians. I don't know why this is so. Perhaps on typical productions, the camera department dominates everyone's attention and the sound people are left to their own devices. So they have to entertain themselves!

On one production where we had actors rigged up with radio mics, because it was difficult to use the boom in certain shots that the script called for, the sound person left the radio mics on after the scene was shot and the actors went into their trailers to relax! Well, you can imagine, there they were: the sound man and the boom man giggling, with their hands over their earphones so that no one could hear! Pretty soon the Producer was in on it too. The boom man kept calling the Producer over when things got interesting. Finally, the Producer had to stop it. Everybody wanted to listen, the production came to a halt! Later when the actors heard about it, the shit really hit the fan! It took everything to get them to calm down and resume. I can still hear them screaming!

Table of Contents

Part I.
The Screenplay.
Story Construction.
Script Formats.
Story-Boarding.

Part II.
Pre-Production.
Script Breakdown.

Budgeting.
Financing.
Casting.
Crew Selection.
Production Manager.
Cinematographer.
Operator/ Focus Puller/Loader/Slate.
Sound Recordist.
Boom.
Continuity Person.
Art Director.
Costume Designer.
Gaffer.
Key Grip.
Prop Person.
Make-Up & Hair.
Production Assistant.
Editor.
Equipment.
Studio & Location Scouting.
Lab Procedures.
Catering.
Insurance.

Part III.
Production.
Producer.
Director.
Hierarchy of Command.
Setting Up the First Shot. 
Procedure for Shooting a Scene. 
Language of Film. 
Long Shot. 
Medium Shot. 
Close-up. 
Aesthetics. 
Coverage.
Sticking to Schedule. 
Sticking to Budget. 
Directing Actors. 
Controlling Technicals. 
Special Effects. 
Special Processes and Genres. 
Finishing Principle Photography. 
Pick-Ups. 

Part IV.
Post-Production. 
Editing. 

Dialogue Cutting. 
Cutting Action. 
Techniques. 
Artistic Considerations. 
Equipment. 
The Editor. 
Editing Music. 
Sound Effects Editing.
ADR & Dubbing. 
The Mix. 
Negative Cutting. 
Printing the Film. 
The Answer Print. 
Release Prints. 

Part V.
Distribution. 
Finding a Distributor. 
Majors' Distribution. 
Mini-Majors. 
Independent Distributors. 
Distributing Your Own Film. 
The Foreign Market. 
Domestic Distribution. 
Festivals. 
Four-Walling. 
Video, TV & Ancillary Markets. 
Building Your Library of Films. 
Business Options. 
Corporations. 
Limited Partnerships. 
Public Offerings. 
Conclusions.