MAKE UP & HAIR

The Make-Up Artist is the earliest person to start working intensely on a production, with the possible exception of the lighting crew if they have a new set up to start the day. The Make-Up Artist does all the actors in the order that they'll be utilized in the daily schedule. The most difficult jobs, such as prosthetics have to be attended to first. It helps to have more than one Make-Up Artist or Assistants on the set when you have a heavy Make-Up-type movie, such as horror or period movies.

The Make-Up Artist has to follow the course of the shooting and tend to any touch-ups that are necessary, especially when actors are before lights for extended periods and sweat forms on their faces; or when there are action scenes that mess up the actors' make-up; or after fights and stunts where injuries, bruises, black eyes or blood has to be applied; or to create a special change following a "faked" modification or transformation of an actor's appearance by spraying the actor's face with water to show sweating or whatever. 

The Make-Up Artist has to be attentive to everything that's being filmed, in constant communication with the Continuity Person and the camera crew. You certainly don't want Make-Up artists who spend all their time chatting with the "stars" on the set, should you be fortunate to have any. There's nothing more annoying than to have to listen to a hum of voices while you're setting up a shot or working on the set.

The Hairdresser's job is similar to Make-Up. On low budget movies, the two jobs may be done by the same person. It's important that hair should match day to day, for style and color. Therefore, a Hairdresser should be good with styles and in some cases should know how to cut and color hair. Every production has its own requirements, so you need to think carefully about this position in case hair is an important element of your production. If your story is about hippies in the sixties, relax, you might not need a Hairdresser. But if your movie is about "hair in the sixties" you might need twenty Hairdressers. There are all kinds of exceptions, use your judgment.


Table of Contents

Part I.
The Screenplay.
Story Construction.
Script Formats.
Story-Boarding.

Part II.
Pre-Production.
Script Breakdown.

Budgeting.
Financing.
Casting.
Crew Selection.
Production Manager.
Cinematographer.
Operator/ Focus Puller/Loader/Slate.
Sound Recordist.
Boom.
Continuity Person.
Art Director.
Costume Designer.
Gaffer.
Key Grip.
Prop Person.
Make-Up & Hair.
Production Assistant.
Editor.
Equipment.
Studio & Location Scouting.
Lab Procedures.
Catering.
Insurance.

Part III.
Production.
Producer.
Director.
Hierarchy of Command.
Setting Up the First Shot. 
Procedure for Shooting a Scene. 
Language of Film. 
Long Shot. 
Medium Shot. 
Close-up. 
Aesthetics. 
Coverage.
Sticking to Schedule. 
Sticking to Budget. 
Directing Actors. 
Controlling Technicals. 
Special Effects. 
Special Processes and Genres. 
Finishing Principle Photography. 
Pick-Ups. 

Part IV.
Post-Production. 
Editing. 

Dialogue Cutting. 
Cutting Action. 
Techniques. 
Artistic Considerations. 
Equipment. 
The Editor. 
Editing Music. 
Sound Effects Editing.
ADR & Dubbing. 
The Mix. 
Negative Cutting. 
Printing the Film. 
The Answer Print. 
Release Prints. 

Part V.
Distribution. 
Finding a Distributor. 
Majors' Distribution. 
Mini-Majors. 
Independent Distributors. 
Distributing Your Own Film. 
The Foreign Market. 
Domestic Distribution. 
Festivals. 
Four-Walling. 
Video, TV & Ancillary Markets. 
Building Your Library of Films. 
Business Options. 
Corporations. 
Limited Partnerships. 
Public Offerings. 
Conclusions.