CREW SELECTION

Crew selection can be as important as casting. Usually it is, especially in low budget productions, since the overall look of the film and the technical quality depends heavily on the crew. Unless you've made some great friendships while working on low budget films as crew person yourself and in some cases as a film student and upon meeting some old friend who's made it in the business as a technician, most of the time you'll have to pay something to get a good crew.
If you're doing a shoestring film, you'll have to be a "jack of all trades" on your production. And hopefully you're really good, otherwise you'll screw it up royally! But, look at it this way: you gotta screw up a few films before you learn how you do it. And you're in good company! The great film maker Ingmar Bergman said that it took him about four films before he felt he knew what he was doing. Check it out! Let's say you have enough money in your budget to pay something. Okay, your camera person and sound person are your most important positions from a technical point of view. But your most important person from a production point of view is your Production Manager.


Table of Contents

Part I.
The Screenplay.
Story Construction.
Script Formats.
Story-Boarding.

Part II.
Pre-Production.
Script Breakdown.

Budgeting.
Financing.
Casting.
Crew Selection.
Production Manager.
Cinematographer.
Operator/ Focus Puller/Loader/Slate.
Sound Recordist.
Boom.
Continuity Person.
Art Director.
Costume Designer.
Gaffer.
Key Grip.
Prop Person.
Make-Up & Hair.
Production Assistant.
Editor.
Equipment.
Studio & Location Scouting.
Lab Procedures.
Catering.
Insurance.

Part III.
Production.
Producer.
Director.
Hierarchy of Command.
Setting Up the First Shot. 
Procedure for Shooting a Scene. 
Language of Film. 
Long Shot. 
Medium Shot. 
Close-up. 
Aesthetics. 
Coverage.
Sticking to Schedule. 
Sticking to Budget. 
Directing Actors. 
Controlling Technicals. 
Special Effects. 
Special Processes and Genres. 
Finishing Principle Photography. 
Pick-Ups. 

Part IV.
Post-Production. 
Editing. 

Dialogue Cutting. 
Cutting Action. 
Techniques. 
Artistic Considerations. 
Equipment. 
The Editor. 
Editing Music. 
Sound Effects Editing.
ADR & Dubbing. 
The Mix. 
Negative Cutting. 
Printing the Film. 
The Answer Print. 
Release Prints. 

Part V.
Distribution. 
Finding a Distributor. 
Majors' Distribution. 
Mini-Majors. 
Independent Distributors. 
Distributing Your Own Film. 
The Foreign Market. 
Domestic Distribution. 
Festivals. 
Four-Walling. 
Video, TV & Ancillary Markets. 
Building Your Library of Films. 
Business Options. 
Corporations. 
Limited Partnerships. 
Public Offerings. 
Conclusions.